AI Porn Generator
The entry portal: one exhibit card, held across a whole exhibition. Standard frames at 6 credits, premium reserved for covers.
Entry portal: define the woman on the wall
Every collection in this gallery enters through the same doorway: a fictional adult woman, described once and described well. The standard model renders a tall 832×1248 frame for 6 credits; the premium model, at 41 credits, is reserved for the pieces that will front a pack or anchor a profile wall. Between those two prices sits the whole craft of the generator, and it is a curator’s craft: her description is her exhibit card, and an exhibit card is never rewritten from memory in a later room.
Write the exhibit card with five fixed entries, always in the same order: her age as a plain number, 30 or over for the mature presence this gallery favours; her hair — colour, length and one habitual style; her build in two or three words; one or two enduring facial details; and a signature — the mole, the small scar, the ring she never removes — that lets a viewer recognise her even in a tight crop. Paste that card, word for word, at the head of every prompt. Beneath it, a single hanging line carries what changes: the outfit, the room, the hour, the light. Hold the card steady and the exhibition holds together across weeks of work; let it drift and no model setting will bring her back through the portal.
The hanging rhythm
Write the exhibit card once
Concrete entries survive the walk. “Long strawberry-blonde hair in a high ponytail tied with an electric-blue silk scarf” renders the same woman in every room; “gorgeous hair” is a mood, and moods are reinterpreted at every generation.
Change one room at a time
Hang a set in one setting under one light, then move through the next doorway. An exhibition is built from deliberate single changes, not from re-rolling a prompt and hoping she reappears.
Keep the best third of the wall
Generate generously at the standard price, then cull hard. Edits, swaps and enlargements are finishing prices — spend them only on frames that survived the cull.
Where the frames are shown
A week of rooms, hung in one sitting
Brief seven frames of one character in one session, and the feed never waits on inspiration mid-week.
Cover frames and previews
The frame at the front of a pack, made to the same measure as the exhibition inside it.
First frames for video
Stills composed with room to move — space around the subject, a direction left open — ready for the motion wing.
Two hangings, one woman
“Fictional 35-year-old woman, long strawberry-blonde hair in a high ponytail tied with an electric-blue silk scarf, warm fair skin, a small beauty mark at the corner of her mouth; electric-blue satin-and-lace lingerie set with a sheer robe slipped off one shoulder, standing in a paper-white studio before a large glowing electric-blue circular portal ring, soft bright light, editorial photograph.”
Everything before the semicolon is the exhibit card — it never changes. The room after it is the only variable hung in this frame.
“Fictional 35-year-old woman, long strawberry-blonde hair in a high ponytail tied with an electric-blue silk scarf, warm fair skin, a small beauty mark at the corner of her mouth; the same electric-blue lingerie set, standing against a plain white gallery wall, one shaft of daylight from the left, editorial photograph.”
A bare wall is the honest test of an exhibit card. If she is still herself against nothing, the card is sound and the exhibition can be trusted.
Standard and premium hangings
| Setting | Standard model | Premium model |
|---|---|---|
| Price | 6 credits | 41 credits |
| Kept for | Series work, daily frames, volume | Covers, hero frames, the one image everyone sees first |
| Method | Generate many, keep few | Brief slowly, generate few |
Where exhibitions drift off the wall
| Symptom | Cause | Correction |
|---|---|---|
| She changes between rooms | The exhibit card was rewritten from memory | Paste the same card every time; vary only the hanging line |
| The frame feels like a crowded corridor | Too many objects and actions in one brief | One room, one action, one light source per frame |
| Hands and small props break | Hands asked to hold fine detail | Rest the hands, or crop the frame at the waist |
Keeping the exhibition log
Serious collections keep a simple log beside the work: the exhibit card version, the hanging line used, the model and the price paid, noted for every keeper. It reads as bookkeeping, and it is — the kind that lets a winning frame be remade exactly, months later, in a different room, without a single guess. When a set sells, the log is what turns a lucky accident into a repeatable exhibition, and it costs nothing but a minute at the doorway.
Can I generate anything for free?
Yes. Registration is free, and the daily check-in gives you 6 credits — exactly the price of one standard frame. That is one new piece through the portal every day, for as long as you keep checking in. Credit packs are there for the days when the collection grows faster.
How much does a frame cost?
A standard frame costs 6 credits, shown on the Spec sheet before you confirm the job. The premium model costs 41 credits and is best kept for covers and hero frames rather than daily work.
How do I keep the same woman across a whole exhibition?
Write her exhibit card once — age, hair, build, face, signature — and paste it unchanged at the top of every prompt. Change only the outfit, the room and the light in the hanging line below it.
Are my frames public?
No. Frames rest private in your account like a closed collection. Only what you deliberately publish appears in the gallery, and unpublishing takes effect immediately.
What size do frames arrive at?
A tall 832×1248 portrait frame, ready for feeds and stores. When a destination demands more, the image upscaler at the grand wall is the finishing gateway.
One account, every tool in the chain
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator